{"id":801,"date":"2022-11-05T13:34:55","date_gmt":"2022-11-05T13:34:55","guid":{"rendered":"https:\/\/paulneagu.com\/instal\/?page_id=801"},"modified":"2024-06-24T05:04:43","modified_gmt":"2024-06-24T05:04:43","slug":"bibliography","status":"publish","type":"page","link":"https:\/\/paulneagu.com\/instal\/?page_id=801","title":{"rendered":"Bibliography"},"content":{"rendered":"<p><span style=\"color: #808000;\"><strong>Bibliography researched and compiled by Magda Radu and Diana Ursan.<\/strong><\/span><\/p>\n<h2>Books<\/h2>\n<p><em>Paul Neagu: Edinburgh Festival Exhibition of New Constructions. Edinburgh: Richard Demarco Gallery, 1969.<br \/>\nOliver, Cordelia. Romanian Art Today. Edinburgh: Richard Demarco Gallery, 1971.<br \/>\nThe Generative Art Group. London: Serpentine Gallery, 1973.<br \/>\nMackintosh, Alistair. Contemporary Artists. London: St. James Press, 1977.<br \/>\nKent, Sarah, ed. Paul Neagu: Sculpture. London: Institute of Contemporary Arts, 1979.<br \/>\nPaul Neagu. Glasgow: Third Eye Centre, 1979.<br \/>\nPaul Neagu &amp; David Nash: Sculpture Drawing and Collaboration. Brampton: LYC Press, 1979.<br \/>\nPaul Neagu: Constellations. Dublin: Project Arts Space, 1980.<br \/>\nOvery, Paul. Paul Neagu: A Generative Context 1965\u20131981. Sunderland: Ceolfrith Press, 1981.<br \/>\n<\/em>Writhing Space: <em>Paul Neagu<\/em>. Sunderland: Ceolfrith Press, 1981.<br \/>\n<em>Ohshima, Seiji. Paul Neagu. Tokyo: Kamakura Gallery, 1983.<br \/>\nWarman, Alister, ed. Paul Neagu: Nine Catalytic Stations. London: Arts Council of Great Britain, 1987.<br \/>\nDeep Space and Solid Time.<\/em> Edinburgh: The Scottish Sculpture Trust, 1988.<br \/>\nMcCrum, Sean. <em>Paul Neagu: Drawing, Painting, Sculpture<\/em>. Warrenpoint: Narrow Water Gallery, 1988.<br \/>\n<em>Nine Catalytic Stations: Paul Neagu, 1975\u20131987<\/em>. Edinburgh: The Scottish Sculpture Trust &amp; Peacock Printmakers, 1988.<br \/>\n<em>Wrapson, Angela, ed. Nine Catalytic Stations: Paul Neagu 1975\u20131987. Edinburgh: The Scottish Sculpture Trust, 1988.<br \/>\nPintilie, Ileana, ed. Crea\u021bie \u0219i sincronism european. Mi\u0219carea artistic\u0103 timi\u0219orean\u0103 a anilor 1960\u201370. Timi\u0219oara: Muzeul de Art\u0103, 1991.<br \/>\nRobertson, Bryan, ed. Paul Neagu: Epagoge, Sculpture and Drawings, 22 October\u201321 November 1993. London: Angela Flowers Gallery, 1993.<br \/>\nPaul Neagu: Hyphen<\/em>. Bucharest: Centrul Soros pentru Art\u0103 Contemporan\u0103, 1994.<br \/>\n<em>Paul Neagu. Miniretrospectiv\u0103<\/em>. Sibiu: Muzeul Brukenthal, 1994.<br \/>\nNeagu, Paul, Interview with Mel Gooding. <em>Artist\u2019s Lives, National Life Stories<\/em>. British Library, Sound and Moving Image reference C466\/27, 1995 (<a href=\"https:\/\/sounds.bl.uk\/related-content\/TRANSCRIPTS\/021T-C0466X0027XX-ZZZZA0.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #993300;\"><span style=\"color: #a9903b;\"><span style=\"color: #808000;\">the Transcript<\/span><\/span><\/span><\/a>).<br \/>\nSugimura, Hiroya, ed. <em>Paul Neagu at the Tochigi Prefectural Museum of Fine Arts<\/em>. Utsunomiya: Tochigi Prefectural Museum of Fine Arts, 1995.<br \/>\nKinley, Catherine, ed. <em>Tate Gallery Catalogue of Acquisitions 1996\u20131988<\/em>. London: British Press, 1996.<br \/>\n<em>Paul Neagu: desen \u2013 gravur\u0103 \u2013 sculptur\u0103<\/em>. Bucharest: Muzeul Na\u021bional de Art\u0103 al Rom\u00e2niei, 1996.<br \/>\nTitu, Alexandra, ed. <em>Experiment \u00een arta rom\u00e2neasc\u0103 dup\u0103 1960 \/ Experiment in Romanian Art Since 1960<\/em>. Bucharest: Centrul Soros pentru Art\u0103 Contemporan\u0103, 1997.<br \/>\nPintilie, Ileana. <em>Actionism in Romania during the Communist Era<\/em>. Cluj: Idea, 2000.<br \/>\nSt\u00eercea-Cr\u0103ciun, Matei, <em>Nine Catalytic Stations: A Study in Hylesic Symbolism<\/em>. Bucharest: Anastasia Foundation, 2003.<br \/>\nGregory, Kirstie. <em>Paul Neagu: Hyphen as Consequence and Catalyst<\/em>. MA thesis, University of Huddersfield, 2014.<br \/>\nJecza, Sorina, ed. <em>Paul Neagu: His Work Seen as a Visual Hermeneutic<\/em>. Timi\u0219oara: Funda\u021bia Interart Triade, 2014.<br \/>\nLe Feuvre, Lisa, ed. <em>Paul Neagu: Palpable Sculpture<\/em>. Leeds: The Henry Moore Foundation, 2015.<br \/>\nKemp Welch, Klara. <em>Networking the Bloc: Experimental Art in Eastern Europe 1968\u20131981<\/em>. Cambridge, MA: The MIT Press, 2019.<br \/>\n<em>Paul Neagu: Anthropocosmos<\/em>. The Hague: Parts Project, 2019.<br \/>\n\u0218erban, Alina, \u0218tefania Ferched\u0103u, eds. <em>24 Arguments: Early Encounters in Romanian Neo-Avant-Garde 1969\u20131971 \u2013 A Handful of Sources<\/em>, <em>Exhibition-Dossier 1<\/em>. Bucharest: Institutul Prezentului, 2021.<\/p>\n<h2>Articles<\/h2>\n<p>Arghir, Anca. \u00bbPaul Neagu\u00ab. <em>Arta Plastic\u0103<\/em> (1968).<br \/>\nGherasim, Marin. \u00bbPrima expozi\u021bie bucure\u0219tean\u0103 de obiect: Paul Neagu \u0219i Mihail Gyorgy\u00ab. <em>Rom\u00e2nia literar\u0103<\/em> (6 February 1969).<br \/>\nVoigt, Hansegon. \u00bbBukarest hat Anschluss an das Internationale Niveau erreicht\u00ab. <em>Westfalische Nachrichten<\/em> (1 March 1969).<br \/>\nN\u0103dejde, Ruxandra. \u00bbRomanian Artists in Scotland\u00ab. <em>Art and Artists<\/em> 4, no. 1 (April 1969).<br \/>\nKennedy, R.C. \u00bbLondon Letter\u00ab. <em>Art International<\/em> 13, no. 5 (May 1969): 40\u201341.<br \/>\nTait, Robert. \u00bbA Manifesto from Romania\u00ab. <em>Scottish International<\/em> (September 1969).<br \/>\nSers, Philipe. \u00abArt Palpable\u00ab. <em>Chronique de L\u2019Art Vivant<\/em> (December 1969).<br \/>\nDomocos, Mihai. \u00bbArta rom\u00e2neasc\u0103 \u00een lume: Edinburgh\u00ab. <em>Rom\u00e2nia Literar\u0103<\/em> (1969).<br \/>\nComarnescu, Petru. \u00bbLaborator. Palp\u2019 Arta\u00ab. <em>Arta<\/em> 5 (1970): 35.<br \/>\nMereu\u021b\u0103, Julian. \u00bbLaborator. Palp\u2019 Arta\u00ab. <em>Arta<\/em> 5 (1970): 36.<br \/>\nMereu\u021b\u0103, Julian, Mihai Dri\u0219cu, and Andrei Doicescu. \u00bbLe diner Neagu (Interview)\u00ab. <em>Opus International<\/em> 17 (1970).<br \/>\nBoudaille, Georges. \u00bbL\u2019Avant Garde en Roumanie\u00ab. <em>Les Lettres Francaises<\/em> (13 January 1971).<br \/>\nOliver, Cordelia. \u00bbPaul Neagu in Glasgow\u00ab.<em> The Guardian<\/em> (15 February 1971).<br \/>\nVaria, Radu. \u00bbLetter from Bucharest\u00ab. <em>Studio International<\/em> 182, no. 935 (July\/August 1971).<br \/>\nBrett, Guy. \u00bbArt and the Edinburgh Site\u00ab. <em>The Times<\/em> (1 September 1971).<br \/>\nMackintosh, Alistair. \u00bbPaul Neagu\u00ab. <em>Art and Artists<\/em> 6, no. 5 (September 1971).<br \/>\nLiardon, P.H. \u00bbObjets et dessins de Paul Neagu\u00ab. <em>Gazette de Lausanne<\/em> (May 1972).<br \/>\nOvery, Paul. \u00bbSerpentine Sculpture\u00ab.<em> The Times<\/em> (12 June 1973).<br \/>\nFuller, Peter. \u00bbSerpentine Sculpture\u00ab. <em>Arts Review<\/em> 25, no. 12 (12\u201316 June 1973).<br \/>\nOvery, Paul. \u00bbNo Objections to Objects\u00ab. <em>The Times<\/em> (30 August 1973).<br \/>\nScotney, Stewart. \u00bbThe Janus E\u00aeect: Stewart Scotney Talks to Paul Neagu\u00ab. <em>Art &amp; Artists<\/em> 9, no. 7 (October 1974): 20\u201323.<br \/>\nCoia, Emilio. \u00bbGlasgow Exhibition\u00ab. <em>The Scotsman<\/em> (20 February 1975).<br \/>\nCoia, Emilio. \u00bbPersonal Views\u00ab. <em>Times Educational<\/em> (21 February 1975).<br \/>\nOvery, Paul. \u00bbProducts of the Split Personality\u00ab. <em>The Times<\/em> (4 March 1975).<br \/>\nVaizey, Marina. \u00bbAdventure Course\u00ab. <em>The Sunday Times<\/em> (16 March 1975).<br \/>\nTisdall, Caroline. \u00bbGoing Concern: Paul Neagu at the Museum of Modern Art Oxford\u00ab. <em>The Guardian<\/em> (4 April 1975): 10.<br \/>\nJaunin, Francoise. \u00bbPaul Neagu, Art et Philosophie\u00ab. <em>Tribune du Matin<\/em> (5 February 1976).<br \/>\nTisdall, Caroline. \u00bbRomanian Rich: On Brancusi\u2019s Benevolent Influence\u00ab. <em>The Guardian<\/em> (12 March 1976).<br \/>\nWright, Barbara. \u00bbPaul Neagu at Thumb\u00ab. <em>Arts Review<\/em> 28, no. 6 (19 March 1976).<br \/>\nChaimowicz, Marc. \u00bbPaul Neagu and his Generative Art Group at the Arnolfni\u00ab. <em>Studio International<\/em> (May\/June, 1976).<br \/>\nChapman, Hilary. \u00bbNew British Sculpture.\u00ab <em>Arts Review<\/em> 3 (4 February 1977).<br \/>\nMcEwen, John. \u00bbTranslations\u00ab. <em>The Spectator<\/em> (17 February 1977).<br \/>\nChaimowicz, Marc. \u00bbPerformance (Paul Neagu: Hyphen-Ramp, Serpentine Gallery)\u00ab. <em>Studio International 195<\/em>, no. 986 (March\/April 1977): 138.<br \/>\nOliver, Cordelia. \u00bbEight Artists\u00ab. <em>The Guardian<\/em> (23 March 1978).<br \/>\nGage, Edward. \u00bbArt as a Form of Practical Magic\u00ab. <em>The Scotsman<\/em> (2 September 1978).<br \/>\nVarley, William. \u00bbPaul Neagu. Newcastle Polytechnic Gallery\u00ab. <em>Aspects<\/em> 4 (Autumn 1978).<br \/>\nLawson, Thomas. \u00bbPaul Neagu at Elise Mayer\u00ab. <em>Art in America<\/em> (April\/June 1979).<br \/>\nPacker, William. \u00bbSummer Shows\u00ab. <em>Financial Times<\/em> (10 July 1979).<br \/>\nJanusczak, Waldemar. \u00bbPaul Neagu at the ICA\u00ab. <em>The Guardian<\/em> (25 July 1979).<br \/>\nMorgan, Stuart. \u00bbPaul Neagu: ICA\u00ab. <em>Artforum<\/em> (November 1979).<br \/>\nMiller, Sandra. \u00abPaul Neagu. Sp\u00e9cial Sculpture\u00ab. <em>Art Press<\/em> (March 1980).<br \/>\nLevitas, Jackie. \u00bbA Star to Be Born?\u00ab <em>Durham Advertiser<\/em> (11 July 1980).<br \/>\nJohnson, W.E., \u00bbStand Back for the March of the Hyphens\u00ab. <em>The Northern Echo<\/em> (15 July 1980).<br \/>\nAdams, Hugh. \u00bbCross Bearings and Stars\u00ab. <em>Art and Artists 15<\/em>, no. 5 (September 1980).<br \/>\nKent, Sarah, \u00bbRound Shifts. Liverpool Academy of Art\u00ab. <em>Art Monthly<\/em> 42 (1980\/81).<br \/>\nCruchet, B.P. \u00bbPaul Neagu: l\u2019homme li\u00e9 a l\u2019univers\u00ab. <em>Gazette de Lausanne<\/em> (23 June 1981).<br \/>\nHyman, Timothy. \u00bbEdinburgh Letter\u00ab. <em>Artscribe<\/em> (September 1981): 52\u201353.<br \/>\nHarrod, Tanya. \u00bbComing Out of the Gallery\u00ab. <em>Times Literary Supplement<\/em> (24 April 1982).<br \/>\nDemarco, Richard. \u00bbGenerative Context\u00ab. <em>Studio International<\/em> 195, no. 995 (June 1982).<br \/>\nBeaumont, Mary Rose. \u00bbPaul Neagu. Curwen Gallery\u00ab. <em>Arts Review<\/em> (14 September 1984).<br \/>\nGarlake, Margaret. \u00bbLondon Roundup: Paul Neagu at Curwen Gallery\u00ab. <em>Art Monthly<\/em> (October 1984).<br \/>\nIngram, Jan. \u00bbEnergetic Show Invites Visitors to Explore Time and Space\u00ab. <em>Daily News<\/em> (28 October 1984).<br \/>\nNorrie, Jane. \u00bbPaul Neagu. Serpentine and Curwen Galleries\u00ab. <em>Arts Review<\/em> 39, no. 8 (24 April 1987).<br \/>\nMacdonald, Murdo. \u00bbSculptor Between Two Worlds\u00ab. <em>The Scotsman<\/em> (11 April 1988).<br \/>\nHenry, Clare. \u00bbNine Catalytic Stations at the Demarco Gallery\u00ab. <em>Arts Review<\/em> 40, no. 8 (22 April 1988).<br \/>\nBrett, David. \u00bbPaul Neagu at Narrow Water Warrenpoint\u00ab. <em>Circa 44<\/em> (March\/April 1989). (<span style=\"color: #808000;\"><a style=\"color: #808000;\" href=\"https:\/\/www.jstor.org\/stable\/25557399\" target=\"_blank\" rel=\"noopener\">Read more<\/a><\/span>)<br \/>\nPearman, Hugh. \u00bbAn Object Lesson in the Fine Art of Sponsorship\u00ab. <em>The Sunday Times<\/em> (4 February 1990).<br \/>\nPintilie, Ileana. \u00bbPaul Neagu \u2013 recurs la o epistemologie a \u203asculpturii catalitice\u2039\u00ab. <em>Orizont<\/em> 31 (2 August 1991).<br \/>\nPetherbridge, Deanna, Coriolan Babe\u021bi, and C\u0103lin Dan. \u00bbArta rom\u00e2neasc\u0103 \u00een diaspora\u00ab. <em>Arta<\/em> 17\/18 (1991).<br \/>\nTitu, Alexandra. \u00bbPaul Neagu sau restructurarea limbajului plastic\u00ab. <em>Curierul rom\u00e2nesc<\/em> 17\/18 (1991).<br \/>\nDelouche, Danielle. \u00bbLes Machines Anagogiques de Paul Neagu\u00ab. <em>Next<\/em> 24\/25 (1992): 106\u2013107.<br \/>\nCork, Richard. \u00bbSculptor Shines in Sunlight\u00ab. <em>The Times<\/em> (13 September 1994).<br \/>\nC\u00e2rneci, Magda. \u00bbPaul Neagu: utopia artistului \u203aintegral\u2039\u00ab. <em>Revista 22<\/em>, no. 45 (15\u201321 November 1995): 15.<br \/>\nGooding, Mel. \u00bbThe Table of Silence\u00ab. <em>Art Monthly<\/em> (November 1995).<br \/>\nOroveanu, Anca. \u00bbArtistul ca inventator\u00ab. <em>Revue Roumaine d\u2019Histoire de L\u2019Art<\/em>, serie Beaux-Arts (1991). republished, Contrapunct (December 1995): 11.<br \/>\nMcEwen, John. \u00bbA Life Measured Out in Hyphens\u00ab. <em>The Sunday Telegraph<\/em> (15 March 1998).<br \/>\nWood, Jonathan. \u00abPaul Neagu\u00ab. <em>Art Monthly<\/em> (1 April 1998).<br \/>\nKapoor, Anish. \u00bbPaul Neagu: Obituary\u00ab. <em>The Guardian<\/em> (28 June 2004).<br \/>\nRowley, Alison. \u00bbPaul Neagu and Touch.\u00ab Paul Neagu: Palpable Sculpture Exhibition, <em>The Henry Moore Institute<\/em> (21 October 2015) (Unpublished lecture transcript).<br \/>\nSutherland, Giles. \u00bbPaul Neagu at the Henry Moore Institute\u00ab. <em>Financial Times<\/em> (28 August 2015).<br \/>\nLe Feuvre, Lisa. \u00bbLives of the Artists: Paul Neagu\u00ab. <em>Tate Etc.<\/em> 45 (Spring 2019): 101\u2013103.<br \/>\n<span style=\"color: #000000;\">Salmeron, Fran\u00e7ois. \u00bbPaul Neagu\u00ab. <a style=\"color: #000000;\" href=\"https:\/\/www.lequotidiendelart.com\/articles\/14961-paul-neagu.html\" target=\"_blank\" rel=\"noopener\"><em>Le Quotidien de l&#8217;Art<\/em> <\/a>(28 April 2019).<\/span><br \/>\nSt\u00eercea-Cr\u0103ciun, Matei. \u00bbPaul Neagu and Hylesic Symbolism, A Tribute to His Memory\u00ab. <em>Hermeneia<\/em> 22 (2019): 41.<br \/>\nMcHugh, Camila. \u00bbPaul Neagu: Kunstmuseum Liechtenstein\u00ab. <em>Artforum<\/em> (November 2021).<br \/>\nRadu, Magda. \u00bbPaul Neagu: A Palpable Philosophy\u00ab.<span style=\"color: #000000;\"> <a style=\"color: #000000;\" href=\"https:\/\/www.independenthq.com\/features\/paul-neagu-a-palpable-philosophy\" target=\"_blank\" rel=\"noopener\"><em>Independent<\/em><\/a><i> <\/i><\/span>(August 2022).<br \/>\nJecza, Sorina. \u00bbPeriscop. Hyphen \u0219i poezie\u00ab.<span style=\"color: #000000;\"> <a style=\"color: #000000;\" href=\"https:\/\/www.observatorcultural.ro\/articol\/periscop-hyphen-si-poezie\/\" target=\"_blank\" rel=\"noopener\"><em>Observator cultural<\/em><\/a><i>\u00a0<\/i><\/span>(January 2023).<br \/>\nMirutziu, Alex. \u00bb<span class=\"cover__title-strong text--xxl\">Field notes: Timisoara Capital of Culture 2023<\/span>\u00ab.<span style=\"color: #000000;\"> <a style=\"color: #000000;\" href=\"https:\/\/contemporarylynx.co.uk\/field-notes-timisoara-capital-of-culture-2023\" target=\"_blank\" rel=\"noopener\"><em>Contemporary Lynx<\/em><\/a><i>\u00a0<\/i><\/span>(March 2023).<br \/>\nRadu, Magda. \u00bbPaul Neagu \u0219i vocabularul expozi\u021bional\u00ab.<span style=\"color: #000000;\"> <a style=\"color: #000000;\" href=\"https:\/\/revista22.ro\/cultura\/paul-neagu-si-vocabularul-expozitional\" target=\"_blank\" rel=\"noopener\"><em>Revista 22<\/em><\/a><i>\u00a0<\/i><\/span>(April 2023).<\/p>\n<h2>Catalogues Published by Paul Neagu\/The Generative Art Trust<\/h2>\n<p><em>Generative Art Group. London: Generative Art Group, 1974.<br \/>\nGradually Going Tornado! Paul Neagu and his Generative Art Group. Sunderland: Ceolfrith Press, 1975.<br \/>\nPaul Neagu: Hyphen (1975\u20131985). London: Visual Hermeneutics, 1985.<br \/>\nReorganisation of Nothing: Paul Neagu (Unnamed Works). London: The Generative Art Trust, 1996.<br \/>\nEndlessedge Hyphen. Sculpture as Evolving Archetype (1975\u20131998). London: The Generative Art Trust, 1998.<br \/>\nA Derridean Tornado: Paul Neagu<\/em>. London: The Generative Art Trust, 2000.<\/p>\n<h2>Articles Written by the Artist<\/h2>\n<p>Neagu, Paul. \u00bbLaborator. Palp\u2019 Arta\u00ab. Arta 5 (1970): 34, republished, <em>Contrapunct<\/em>, no. 184 (November 1996): 21; English translation published in: <em>Experiment \u00een arta rom\u00e2neasc\u0103 dup\u0103 1960<\/em> \/ <em>Experiment in Romanian Art Since 1960<\/em>, trans. Raluca Dobre and David Hill, ed. Magda C\u00e2rneci. Bucharest: Centrul Soros pentru Art\u0103 Contemporan\u0103, 1997: 124-126.<br \/>\nNeagu, Paul. \u00bbObiectele, N\u00ab. <em>Rom\u00e2nia literar\u0103<\/em> (2 July 1970).<br \/>\nNeagu, Paul. \u00bbObjets-Gateaux\u00ab. <em>Leonardo<\/em> 3 (1970): 191\u2013193.<br \/>\nNeagu, Paul. \u00bbGuide to Generative Arts\u00ab. Generative Arts Research Group (1977).<br \/>\nNeagu, Paul. \u00bbGradually Going Ahead\u00ab. <em>Artscribe<\/em> 16 (January 1979): 48\u201350.<br \/>\nNeagu, Paul. \u00bbHyphen\u2013Maker\u00ab. <em>Aspects<\/em> 6 (Spring 1979).<br \/>\nNeagu, Paul. \u00bbThe Case of Horia Bernea\u00ab. <em>Aspects<\/em> 14 (1980).<br \/>\nNeagu, Paul. \u00bbPunk-Baroques \u201981 at the Museum of Modern Art Paris\u00ab. <em>Artscribe<\/em> (1981).<br \/>\nNeagu, Paul. \u00bbSome Notes on Fullers Visceral Turmoil\u00ab. <em>Aspects<\/em> (1981).<br \/>\nNeagu, Paul. \u00bbThree Poems\u00ab. <em>Aspects<\/em> 29 (1985).<br \/>\nNeagu, Paul. \u00bbAcum 25 de ani\u00ab. In Pintilie, Ileana, ed. <em>Crea\u021bie \u0219i sincronism european. Mi\u0219carea artistic\u0103 timi\u0219orean\u0103 a anilor 1960\u201370<\/em>. Timi\u0219oara: Muzeul de Art\u0103, 1991.<br \/>\nNeagu, Paul, and Gheorghe Iova, \u00bbSe anun\u021b\u0103 un monument al Bucure\u0219tiului: Crucea Secolului\u00ab. <em>Expres<\/em> (March 1993): 12.<br \/>\nNeagu, Paul. \u00bbSculptura catalitic\u0103 [\u2026] \u0219i Masa T\u0103cerii\u00ab. <em>Curierul Rom\u00e2nesc<\/em> 10 (October 1995): 8\u20139.<br \/>\nNeagu, Paul. \u00bbCatalitic mereu\u00ab. <em>Dilema<\/em> 3, no. 146 (27 October\u20132 November 1995).<\/p>\n<h2>Poetry written by the Artist<\/h2>\n<p>Neagu, Paul. <em>Marele clepsidru \/ The Great Sand Glass. <\/em>Timi\u0219oara: Funda\u021bia Interart Triade, 2004.<\/p>\n<p><span style=\"color: #808000;\">Comprehensive Bibliography is to be found in &#8220;<a style=\"color: #808000;\" href=\"https:\/\/paulneagu.com\/instal\/?page_id=1299\">Paul Neagu &#8211; The Monograph<\/a>&#8220;.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bibliography researched and compiled by Magda Radu and Diana Ursan. Books Paul Neagu: Edinburgh Festival Exhibition of New Constructions. Edinburgh: Richard Demarco Gallery, 1969. Oliver, &hellip;<\/p>\n","protected":false},"author":1,"featured_media":1816,"parent":0,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-801","page","type-page","status-publish","has-post-thumbnail","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/paulneagu.com\/instal\/index.php?rest_route=\/wp\/v2\/pages\/801","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/paulneagu.com\/instal\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/paulneagu.com\/instal\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/paulneagu.com\/instal\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/paulneagu.com\/instal\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=801"}],"version-history":[{"count":92,"href":"https:\/\/paulneagu.com\/instal\/index.php?rest_route=\/wp\/v2\/pages\/801\/revisions"}],"predecessor-version":[{"id":2967,"href":"https:\/\/paulneagu.com\/instal\/index.php?rest_route=\/wp\/v2\/pages\/801\/revisions\/2967"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/paulneagu.com\/instal\/index.php?rest_route=\/wp\/v2\/media\/1816"}],"wp:attachment":[{"href":"https:\/\/paulneagu.com\/instal\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=801"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}